“DRIVING TO WORK, I STOP SUDDENLY TO LET AN ALLIGATOR CROSS THE ROAD” an Ariel Fransisco poem, for Soprano and Piano – 6″27″

“Green” for “America’s Wonders: A 3D and Musical Adventure Exploring America’s National Parks and Exciting Cities” for Orchestra (2+picc, 2+eng horn, 2+bcl, 2+cb – 4,3,3,1 – timp, 4 perc., hp, pno/cel – str) – 7’00”

“Funky Tubes: Explorations of James Brown motifs from ‘Funky Drummer’” for Tuba Trio and drums – 6’30”

“Fanfare Orlando” for Brass Choir and SATB Chorus: 3 trumpets, 4 F horns, 2 Trombones, Bass Trombone and Tuba – 2’00”

“Fanfare Orlando” for Brass Choir : 3 trumpets, 4 F horns, 2 Trombones, Bass Trombone and Tuba – 2’00”

“Woodwind Quintet No. 2  “1. Nostalgia”,  “2. Alone”, “3. Great River”, “4. Cats and Boots” – 12’00” 

“Over the North Jetty” a William Stafford Poem, for SATB SATB Chorus, Flute, Oboe, Horn, Euphonium, Bassoon and Contrabassoon (revised from 2008) – 7″35″

“feelings” for String Ensemble (3-2-2-2-1) “1. Forlorn”, “2. Ebullient”, “3. Guilty”, “4. Ecstatic,” – 15’45”

“Practicing Happiness” (a Deep Listening composition), a text work for any number of participants – no set duration

“Venus and Vulcan in America” for Orchestra with Sub-bass synthesizer, (2+picc, 2+eh,2+bcl, 2 – 4,3,3,1 – timp, 4 perc,  celeste/synth, hp –  str) “1. Venus and Vulcan”, “2. Transformation of Heart,” “3. Love’s Flight and Play” (needs 4th mvmt) – 20’15”

“Following Directions” (a Deep Listening composition), for up to 12 musicians via Synchronous Video-conferencing – no set duration

“The Joy of Mindfulness” for small orchestra (2,2,2,2 – 2,2,2-timp, 1 perc – pno – str) – 8’15”

“Acuity” for small orchestra: (2,2,2,2 – 2,2,2-timp, 1 perc, pno – str) – 2’45”

“When Leaders Stop Listening” for Brass Trio and Three Mimes (Trumpet, F horn, Trombone) – 9’30”

“Joyful Play” for Four Hands Piano – 4’45”

“Two Edged Sword” for Brass Quintet and Trap Set – 6’15”

“Distance Music for Walking Audience, 7 remote controlled Train Horns and 2 Brass Choirs” (an outdoor quasi-installation piece that uses varying large distances to create rhythm) requires 40 acre space, 7 remote MIDI-controlled train horns C4,Eb4,F4,G4,Ab4,B4,D5, two brass choirs: 4,3,3,2 – 1perc – two conductors required: 1. Fanfare, 2. Parallax, 3. Finale – 17’00”

“Bright Shadow” for Alto Saxophone and Piano – 7’15”

“Equilateral” from Studies in Flowing Meter for clarinet quartet – 6’00”

“1. the still unborn about the dead” from Five Stanescu Songs, for high voice and piano quintet (2013 revision) – 8’15”

“Inspire” for 22 Brass, C Bell, Carillons and Distance. Performed by musicians from the rooftops of buildings, employing timing delays over large distances to create antiphonal counterpoint: 7 Trumpets, 6 F Horns, 6 Trombones, 3 Tubas, Carillon, C Bell – 7’30”

“The Glazer Family Suite” for Trumpet and Piano Quartet 1. Meditation, 2. Fun, 3. Lesson on the Circle, 4. Family, 5. Acuity – 12’00”

“Four Dimensions for Orchestra, EWI and Surround Electronics” with real time computer art (1+picc,2,1+bcl,2, EWI – 4,3,3,1 – timp, 3 perc, pno, hp,  – electronics (simple triggers of 5.1 soundfiles using Max)  – str) – 6’30”

“Children on the Playground” Violin Concerto for Strings (2010 revision) 1. Joyful Play, 2. Yearning, 3. Follow the Leader  – 16’15

“If Ye Would Hear” a Christmas Carol arrangement for SATB choir and piano

“Contented Waltz” for solo guitar

“Vision of the Earth” for Large Chorus (SSAATTBB), 2 Soli (S,B), Organ, and Orchestra ( 2+picc, 2,2,2 – 4,2,2,0 – timp 3 perc., pno, hp – str) – 14’45”

“Binkie Goes to Follywood” for vocal quartet (SATB), banjo, turntables, vibraphone, Bb clarinet, alto saxophone, Bb trumpet, bass and drums – 1’45”

“Starboy: An Opera Preview”: for 2 singer-actors (S,T) and surround electronic music (5.1 surround) – 40’00”

“Earth Caoine” (alt. “Earth Cry”): A Tone Poem for Clarinet and Orchestra  (2d1,cor anglais, bcl, 2 – 2,1,2,1 – timp., 3 perc., harp, solo Bb clarinet, strings) – 9’00”

“Wondrous Love” for mixed choir SATB and piano – 4”00”

“Jack and the Beanstalk” for violinist/storyteller

“Oceans” for sampled whales and Synclavier – electronic music recording – 15’00”

“Tartuffe” music for a modern, musical adaption of Moliere’s satirical farce

Five Stanescu Songs: Lessons On the Circle for Tenor and Piano Quintet “1. the still unborn about the dead, “2. Song,” 3. Talking,” “4. The Sky’s Mistake,” “5. Lesson On the Circle” – 19’00”

 “The Winter of Our Discontent” for string quintet: 2vln, vla, cllo, bs – 8’00”

“Poem” for Viola and Digital Delay

“Dissipative Structures” for magnetic tape in Quadrophonic Sound – 7’15”

“The Cloud of Unknowing” for Orchestra, (2+picc,2+cor anglai,2+bcl,2 – 4,3,3,1 – timp,4 perc. – str)  – 8’00”

“Jamais Vu” for Solo Oboe and Digital Delay, Random Signal Generator and Sample and Hold Electronics

“Woodwind Quartet No. 1” – 3’30”

“move deeply, rain”  for Eight Voices (SSAATTBB) and Magnetic Tape – 12’45”

“Five Violin Duets” – 8’02”

“Quintet” for Violin, Bb Clarinet, Cello, Piano and Percussionist – 8’30”

“Passacagia for Organ” – 5’15”

“Your Quiet Place” for medium voice and piano, lyrics by Leslie Crislip

“Prelude for Organ” – 3’15”

“Night” for Soprano and Piano, Lyrics by Kevin Lay – 0’45’

“Citadel” for Symphonic Band – 6’00”

“Sunset” for Piano